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Music Critique
“Mayhem”
Lady Gaga is renowned for her many roles.
Her portfolio spans from being a daring pop sensation and a jazz artist endorsed by Tony Bennett, to an award-winning songwriter with Grammys and Oscars, and a lead in hits and misses at the box office alike, not to mention her roles as a fashion pioneer and a forefront activist.
Despite their quality, her recent trio of studio albums received mixed reviews: Rolling Stone called her 2013 EDM shift in “Artpop” “odd,” the New York Times labeled her 2016’s country-infused “Joanne” as “perplexing,” and Pitchfork pointed out the “filler” tracks in 2020’s dance-centric “Chromatica.”
Devoted fans and casual listeners alike will be excited to find that the beloved Mother Monster has returned to form with “Mayhem,” her most acclaimed work in over a decade.
Released this Friday, the album is a hybrid of her two biggest hits, merging the ’80s-flavored drama of 2008’s “The Fame” with the electro-grunge vibe from her 2011 masterpiece, “Born This Way.”
Gaga doesn’t just warm up leftovers; she completely reimagines herself and hits her stride, blending novel creativity with the distinctive artistry that launched her nearly two decades ago.
True to its name, “Mayhem” delivers a controlled chaos.
One moment, Gaga channels David Bowie in the funky tune “Killah,” produced in collaboration with Gesaffelstein, and the next she confronts the very fame that elevated her to Bowie’s legendary status in “Perfect Celebrity,” a poignant track about a star’s decline — think of it as 2025’s answer to “Paparazzi.”
The album also tips its hat to Michael Jackson in the confident “Shadow of a Man” and even to Taylor Swift in the pop anthem “How Bad Do U Want Me,” which mirrors more of Swift’s “1989” than any re-recorded tracks from Swift herself, showcasing an album that is unmistakably Gaga.
With its compelling, mesmerizing rhythms and bold vocal execution, “Mayhem” demands to be played at high volume.
“Abracadabra” marks the artist’s most captivating single since 2009’s “Bad Romance.” Meanwhile, if “Zombieboy” doesn’t make you dance, you might just be a zombie.
The album also offers softer moments; the heartfelt power ballad “Blade of Grass” is a homage to Gaga’s fiancé, co-writer, and executive producer, Michael Polansky, before ending on a high note with the timeless, chart-topping duet “Die with a Smile” with Bruno Mars, encapsulating themes of joy and resilience.
Ultimately, “Mayhem” proves that chaos doesn’t have to be everlasting.
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Ellis McDowell is a trend analyst with a sharp eye for spotting the next big thing in entertainment. With years of experience in digital media and trend forecasting, Nora tracks the movements of influencers, viral content, and entertainment trends. Her insights help shape the stories that captivate our audience.






